Call for papers on Ethnoarchaeology in Nubia and the peripheral regions
The XIIth International Conference on Archeology and History Stood in Antibes (France) in October 1991 was devoted to the following topic : Ethnoarchaeology: justifications, problems, limits. If ethnoarchaeology has supporters and opponents, it is clear that, as was written by Louis Chaix and Hassan Sidi Maamar in the proceedings of this conference (p. 281), “the use of analogy is an integral part of scientific production. (…) The function of analogy is to inspire a new idea and widen the sphere of possibilities. In no event it is to grant certain positions an undeniable status of truth.”
As Eric Huysecom explained in these proceedings (p. 91), “for better efficiency, ethnoarchaeology requires that the archaeologists state their needs in order to guide the research of the ethnoarcheologists. Both disciplines, ethnoarchaeology and archeology, should therefore be pursued simultaneously. Only then patterns highlighted with current populations will become relevant and will apply to the past. ”
Very relevant ethnoarchaeological studies were conducted in the past in Sudan, like for example the analysis of butchery techniques, comparing ethnographic data on the current cutting and archaeozoological study of a funerary context gathered in the Kerma area between 1970 and 1990, a study by Louis Chaix and Hassan Sidi Maamar.
This call for papers aims to update the latest research in ethnoarchaeology in Nubia and in the peripheral regions. We expect articles from designers (ethnoarcheologist, anthropologists, geographers …) and users (archaeologists). For example, how the study of different technical activities (ceramics, metal, basketry, architecture …) from current societies contribute to a comparative ethno-archaeological thoughts? Expectations of the archaeologists and specialists of Nubia to ethnoarchaeology are welcome.
Call for Papers
International Medieval Congress
University of Leeds, UK, 2-5 July 2018
Africa has always been a nexus of trade routes, its history entangled with the continents that surround it: Europe, Asia, and America. These connections and interactions, whether productive or brutal, have been reasonably well documented for the classical period as well as from the onset of modern colonialism, but a chronological blank spot lingers on our historical memory. Why is it so difficult to remember the Middle Ages – their beginning, middle, and end – in and for Africa?
The International Medieval Congress in 2018 between 2-5th July 2018 will focus on the theme of ‘Memories’ – and will be an ideal occasion for scholars working on sources and historiography relating to sub-Saharan Africa in the pre-modern period to exchange ideas. We specifically invite scholars working on a wide range of sources relating to Africa to help us re-shape the impression of a purportedly ‘forgotten’ period within the larger historiographical field that focuses on Africa and its interactions with other continents.
We welcome proposals for papers of 20 minutes’ length across four sessions from historical, literary, archaeological, philological, art historical and interdisciplinary angles.
We endeavor to group papers into the following geographical sessions:
- The Nubia and the Red Sea Region
- Ethiopia and the Horn
- From Mogadishu to Sofala: the Swahili Coast, the Indian Ocean and Zimbabwe
- Empires of the Sahara and Sahel
- Beyond the Desert Sea: From Ile-Ife to the Kingdom of Kongo
Possible topics include (but are not limited to):
- The beginning of the Middle Ages: the interface and influence of Greek, Christian, and Arabic cultures with local communities, Trans-Saharan, Red Sea and Western Indian Ocean Trade;
- The middle of the Middle Ages: topics in Aksumite, Zagwe and early Solomonic history, Nubian Christian kingdoms, Islamic Sultanates of the Horn of Africa, the Swahili city states and Great Zimbabwe, the empires of Ghana, Mali, and Kanem, etc.
- The end of the Middle Ages: the onset of colonialism, shifting paradigms in trade and power relations
- Foreign sources on the continent, from China to Latin Europe, and from itineraries to maps
Abstracts of up to 200 words should be sent to the dedicated email account AfricanMiddleAges@gmail.com by Monday, 25th of September 2017 (extended deadline!). Please include personal and contact details (including academic affiliation), paper title, abstract, and A-V requirements.
Organizers / Contacts
- Dr. Verena Krebs, Hebrew University of Jerusalem, Israel / Ruhr-University Bochum, Germany • Verena.Krebs@mail.huji.ac.il
- Dr. Vincent W.J. van Gerven Oei, independent scholar • email@example.com
- Prof. Dr. Christof Rolker, Bamberg University, Germany • firstname.lastname@example.org
- Meseret Oldjira, Princeton University • email@example.com
Call For Papers on Nubian Literature
Though a great number of books and articles have been written on Nubian history, archeology and language in English, only a few researchers have addressed the large body of Nubian literary production. The aim of this issue is to redress this lack by foregrounding the importance of Nubian literature in both its written and oral form. The issue will include texts written by Egyptian and Sudanese writers in both the Arabic and Nubian language translated into English as well as critical articles about the aforementioned texts. The aim of this issue is to explore different trends in Nubian literature as well as diverse ways of tackling them. We seek translations of texts written by Nubians from different periods as well as critical papers on the subject. Modes of reading include but are not restricted to the following:
Some of the key questions include, but are not confined to :
- In what way do Nubian writers deploy their heritage ?
- How do writers use re-readings of Nubian myths/folktales as a tool to challenge or consolidate notions of identity and in what way is their cultural background a decisive element?
- How do writers address notions of gender and gender relations both in Modern and Old Nubia and how can a comparative perspective be of help in understanding this specific issue?
- How do authors employ Utopian/Dystopian themes as sub-texts that define their attitude towards Old Nubia and as a means of coping with the present? How are oral productions both an expression of a way of life that is no more as well a reflection of elements of a specifically Nubian culture that has survived until the present time?
We invite interested authors to direct questions and submit abstracts to Nivin El Asdoudi (firstname.lastname@example.org). Please submit abstracts by 1 May 2017 and anticipate submission of the final draft of your article by 1 December 2017.